cold weather and a sketchbook

Oh how I love it when we get our annual snow storm. Here in Portland we are lucky to get one a year. I have all sorts of detailed theories on what temperature and humidity conditions need to exist prior to the official call for snow flurries that will guarantee snow for more than an afternoon. Of course none of my theories are backed by science but that doesn't stop me from spouting them to anyone who will  listen. 

Since we in the NW are icebound, in the freezer for the week, I find that a hot cup of joe and my sketchbook on the sofa is a great combo. I am finding that the creative juices are flowing with all sorts of licensing doodles. Now that I have my handy chart created that details what work is in need of production, I just have to start producing! First out of the gate are some fun Christmas Tree images. I am anxious to post my sketches, but I will lead with this fun flickr picture, it sums up the spirit of Christmas trees that I want to create.  

the value of old ideas

I just spent the last 4 hours pouring over my old sketchbooks. I save them as I guess most artists do, forever. I can't imagine throwing one out. In revisiting them I noticed that there is no rhyme or reason to how I sketch in a sketchbook. I tend to open it, look for a blank page, then draw. This is a pain as I go back through them looking for a particular sketch. Organization is not one of my strong suits. However, tonight was different. I post-it noted pages, I wrote on the post-its so that I could see what I had marked, and then when I was all done I categorized the items I liked and thought had potential. Then in my attempt to really out do myself, I made a big fat chart. A flow chart type of dealio. Well more like a site map really. But none the less a handy visual aid of all the items I liked, or wanted to work on. (See my crappy picture of the chart.)

What was the point of all this besides the exercise of organizing and daydreaming of new pictures to be made? The goal is this. I want to really expand my portfolio for licensing options and want to do it in a strategic manner. I know that in my sketchbooks are many fun ideas that singularly are just a fun idea, but together have real power. Going through my sketchbooks provided me an opportunity to revisit work that was never fully fleshed out, but with the right attention could be something worthwhile. Taking the time to organize the work by category will help me to analyze the depth and breadth of my artistic interests. I found that yes I do truly love to draw food, and no I do not love to draw nature. Do I feel compelled to work on that, no not really. But it does show me that I need to focus on promoting what I am deep in. And if I am so inclined it also shows me what areas I can add to and really expand my offerings. 

The lesson to this is that old sketchbooks are invaluable. Not only are they historical references of our lives, and what we see and think, but they are chock full of potential. Not unlike ourselves.